Gilles Deleuze on Cinema - What is the Creative Act? (1987)
This 45 minute talk at a conference in 1987 on the “act of creation” in cinema is perhaps the most intimate capture of Gilles Deleuze on film besides the Abécédaire interview. Gilles Deleuze speaks continuously and fluidly in a raspy but gentle and sincere voice that betrays much reverence for the work of figures such as Bresson and Kurosawa, particularly as concerns what Deleuze claims to be an absolute need of theirs to adapt the works of Shakespeare and Dostoevsky for film. Other figures discussed include Syberberg, Straub and Duras, along with a discussion of Foucault and disciplinary societies. Deleuze concludes with a meditation on what he calls the “mysterious connection between the work of art and the act of resistance.”
i sent a misspelled meme into the tumblr ether. i’m embarrassed. this is the correction.
Looks like you need to go to grad school for spelling.
Michel Foucault, “On the Genealogy of Ethics: An Overview of Work in Progress,” in Hubert L. Dreyfus and Paul Rabinow, Michel Foucault: Beyond Structuralism and Hermeneutics, Second Edition With an Afterword by and an Interview with Michel Foucault (Chicago: The University of Chicago Press, 1983), pp. 231-232.
(Hat tip to Pritch for this one.)
As social movements waned in the late 70s, the study of Marx seemed to take on a life of its own. Structuralist, post-structuralist, deconstructed Marxes bloomed in journals and seminar rooms across the US and Europe. These Marxes and their interpreters struggled to interpret the world, and sometimes to interpret Marx himself, losing sight at times of his dictum that the challenge is not to interpret the world but to change it. In 1979, Harry Cleaver tossed an incendiary device called Reading Capital Politically into those seminar rooms. Through a close reading of the first chapter, he shows that Das Kapital was written for the workers, not for academics, and that we need to expand our idea of workers to include housewives, students, the unemployed, and other non-waged workers. Reading Capital Politically provides a theoretical and historical bridge between struggles in Europe in the 60s and 70s and, particularly, the Autonomia of Italy to the Zapatistas of the 90s. His introduction provides a brilliant and succinct overview of working class struggles in the century since Capital was published.